

Federal Register, Ap(Volume 63, Number 74): "Notices" pp. Catalog of Copyright Entries Part 1, GrNew Series, Volume 10, No. Library of Congress, Copyright Office.

Catalog of Copyright Entries: Part 1, Group 3: Dramatic Composition and Motion Pictures: 1938 New Series: Volume 11, No. New York City: Dover Publications, Inc., 1985. Fifty Classic British Films, 1932–1982: A Pictorial Record. Historical Journal of Film, Radio and Television. The Encyclopedia of British Film: Second Edition – Fully Updated and Revised. Exeter, United Kingdom: University of Exeter Press. A Chorus of Raspberries: British Film Comedy 1929–1939. Edinburgh, United Kingdom: Edinburgh University Press. British Film Directors: A Critical Guide. Westport, Connecticut: Greewood Publishing Group. New York City: The Boy Scouts of America. Korda Is Showing at the Little Carnegie". "Storm in a Teacup (1937): The Screen Tight Little Comedy Is 'Storm in a Teacup,' Which Mr. " "Storm in a Teacup" Is Given Excellent All-Round Treatment in Saville-Dalrymple Version". The copyright date, as AFI and Copyright Catalog declared, was 10 August 1937. The American Film Institute Catalog claimed that this film was released on 25 February 1937.
#A STORM IN A TEACUP COMPANY MOVIE#
Leonard Maltin rated this movie three out of four stars and called it "witty social comedy." The book Guide to British Cinema considered this film as one of Victor Saville's "well-crafted, genre films" and "the breezy Rex Harrison–Vivien Leigh social comedy." The book British Film Directors: A Critical Guide called it "a whimsical comedy with anti-fascist undercurrents." The book A Chorus of Raspberries: British Film Comedy 1929–1939 considered this film "one of the best British comedies of the decade." Īnne Edwards, author of the 1977 biography of Vivien Leigh, considered this film a "funny but inconsequential comedy " nevertheless, she called Leigh's performance "witty and warm" for her role that "could not have given much pride of accomplishment." References The number of favourable reviews grew over time. The critic for The Montreal Gazette wrote, "the excellent story is done fullest justice by the directors, Victor Saville and Dalrymple, and by the large and often-brilliant cast." The critic for Boys' Life called it "a riot of fun for the audience." Nugent called it "an engaging miniature" and "a splendid comic brew". Fay)Īt the time of the film's initial release, reviews were favourable.

